Projects

January 2022: conferences

Participation in a round table at the Music and Globalization Seminary – Paris Sorbonne https://www.iremus.cnrs.fr/fr/evenements/musique-et-globalisation-ii-seminaires-internationaux-du-grmb

Concerts:

  • Variações for Wind Quintet will be premiered in Europe by the Ensemble Quintextra at the Bienenmuseum Weimar, Germany, December 2021
  • Devaneio, for guitar, was played by Leonardo Müller during the III Festival de Música Contemporânea Brasileira Edino Krieger, Brazil, 27/09/21

Conference

Brazilian Identity in Brazilian Concert Music under the perspective of Topic Theory (in portuguese) 04/11/2020 https://www.youtube.com/watch?v=SWlfphr9C4o&t=3667s

Interview about composition during pandemics (in portuguese) 14/10/2020 https://www.youtube.com/watch?v=eDdt6Iab-xQ&feature=youtu.be

Compositions in progress:

  • Upaapisti for flute and electronics, commissioned by Via Nova Ensemble, Weimar, Germany, to be premiered in 2021.
  • Orchestral Piece in 3 Mvts: Passacaglia, Adagio, Scherzo.
  • Dance in Moss Green with Violet Dust, for solo cello.
  • Concerto, for Trombone and Orchestra.

Book: Marcos Holler and Acácio Piedade (eds.) Estudos Transversais em Musicologia: História, Composição, Performance. Curitiba: CRV, 2021.

The book is available online for free at the publisher’s website:

https://www.editoracrv.com.br/produtos/busca?assunto=musics

My chapter in this book is a expanded translation to portuguese of the article in press (Field Research…, see below). The title is: Reflexões Preliminares sobre Composição Transcultural (“Preliminary Thoughts on Transcultural Composition”)

https://www.academia.edu/59137870/Reflex%C3%B5es_Preliminares_sobre_Composi%C3%A7%C3%A3o_Transcultural

Article in Press:

Field Research as a basis for Musical Creation. Introductory thoughts on Transcultural Composition. Wissenschaftliche Schriften der WWU Münster 2021 (in press)

Música e Identidade através da Teoria das Tópicas, Simpósio Identidade Brasileira da Música de Concerto (livro digital), 2021 (in press)

A Path to Transcultural Composition – in: Festschrift für Prof. Tiago de Oliveira Pinto (in review)

Papers for congresses (co-authorship):

Mansani, Sílvio; Piedade, Acácio. Pierrot Lunaire e o Dante Negro: Um ciclo de canções para voz e instrumentos. Paper to be presented and published at the IV EPMU, October 2021 (UFPEL).

Ramires, Diego; Piedade, Acácio. A colaboração compositor-intérprete e o processo criativo na composição de uma obra para trombone. Paper to be presented and published at the IV EPMU, October 2021 (UFPEL).

Mansani, Sílvio; Piedade, Acácio. O Sprechgesang como técnica composicional no século XXI – comentários analíticos sobre obras vocais de Marcos Balter e Januíbe Tejera. Paper to be presented and published at the XXXI ANPPOM, November, 2021.

Gonçalves, Fabrício; Piedade, Acácio. Perspectivas para uma pesquisa sobre Intertextualidade e Composição Musical. XXXI ANPPOM, November, 2021.

Martinez, Gandhi; Piedade, Acácio. O efeito Priming como possibilidade artística na Composição Musical. Paper to be presented and published at the XXXI ANPPOM, November, 2021.

Zamith, Maurício; Piedade, Acácio. O tempo musical em obras contemporâneas para piano. Conference-Concert to be presented at the XXXI ANPPOM, November, 2021.